José Rodríguez Alvira
Harmonic analysis of measures 5 to 12:
Measures | Differences between measures | |||
---|---|---|---|---|
5 and 9 | In the third beat of measure 9, a major VII degree (natural minor scale) replaces the suggested vii degree diminished chord (harmonic minor scale) of measure 5. | |||
6 and 10 | The i degree chord in measure 6 is replaced by a VI degree chord (the root note of the chord appears in the third sixteenth note). | |||
7 and 11 | Tonic harmony in bar 11, dominant harmony in bar 7. | |||
8 and 12 | Dominant harmony in bar 12, tonic harmony in bar 8. |
Harmonic variations will continue for the rest of the canon ...