The prelude begins with a harmonic progression in B flat major ending over a dominant chord (measures 1 to 5):
The thematic material as an internal voice (in blue) appears. A dominant pedal is in measures 3 to 4 (in red):
Measures 1 to 5:
Nichole Muller, piano. Courtesy of Piano Society.
The passage is repeated. The melody is doubled at the octave, and syncopated chords added:
Nichole Muller, piano. Courtesy of Piano Society.
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