Second canon

The second canon is not a strict canon:

• The bass is imitated by the soprano at the octave in measures 13 and 14.
• A diminished seventh chord in measure 15 modulates to G minor.
• In measure 17, the soprano imitates the bass from the previous measure, and the motive returns to the bass in measure 18.
• In measure 17, the bass imitates the soprano from the previous measure. The motive returns with a variation to the soprano in measure 18.
• The voices imtate each other in these measures.

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